Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.   Related Paintings of Piero della Francesca :. | the legend of the true cross, detail | Wu Binuo Duke Feidailike reaches the Mongolian peaceful fil Trow portrait | Polyptych of Saint Augustine fy | Polyptych of Saint Augustine | legend of the true cross |
Related Artists:
Henry Schafer
Br.1873-1915
Robert Peckham
painted The Raymond Children in 1838
Samuel Thomas Gill
(Devon, England 1818 - Melbourne 1880 ) Australian/British Artist Australian/British Artist,also known by his signature S.T.G., was and English-born Australian artist. Gill was born in Perriton, Somerset, England, son of the Reverend Samuel Gill, a Baptist minister, and his first wife, Winifred Oke. Rev. Gill became the headmaster of a school at Plymouth, where the son was first educated, then he continued to Dr Seabrook's Academy, Plymouth. Having moved to London, Gill was employed as a draughtsman and watercolour painter by the Hubard Profile Gallery, before departing for the colony of South Australia in 1839 with his parents, arriving in December. Gill arrived in Adelaide, aged 21 and established a studio in 1840, and called for those 'desirous of obtaining a correct likeness' of themselves and their families, friends, animals and residences to contact him. His activities soon expanded to include street scenes and public events, including the newly discovered copper mines at Burra Burra as well as the departure of Charles Sturt's expedition for the interior on 8 October 1844.